Monika B. Hilder, Sara L. Pearson & Laura N. Van Dyke (eds.), The Inklings and Culture: A Harvest of Scholarship from the Inklings Institute of Canada (Cambridge Scholars Publishing, 2020).
There has been, within Canada, a committed history of interest in the Inklings. My mother was faithfully involved with the Toronto group that published Pilgrimage: The Toronto C.S. Lewis Society (a magazine on Lewis and the Inklings in the 1980s-1990s, final edition 2009). The Canadian C.S. Lewis Journal: The Inklings, Their Friends & Predecessors that closed shop Autumn 2001 (lasted almost 30 years, 100 publications) was, in its last decade, published on the West Coast. But, it was with the founding of The Inklings Institute of Canada at Trinity Western University that a more mature and integrated vision of the Inklings came into being. The publication of The Inklings and Culture is the well-birthed child of such fine parenting.
The fact I took in Lewis and the Inklings with my mother’s milk, and, in some small way, contributed to The Inklings and Culture, means my decades-long journey (from the earliest years) was amply rewarded by heeding and reading the many and polyphonic voices in this well-tuned Inklings symphony.
The Inklings and Culture: A Harvest of Scholarship from the Inklings Institute of Canada is, indeed, a harvest and feast of a read. The tome is divided into 4 parts and 27 chapters. Each part is packed with insights and probes that make for creative reads and varied interpretations of the pure gold of Inklings life and thought: Part I: Literary Influences, Part II: The Christian Imagination, Part III: Artistic Responses, and Part IV: Contemporary and Theological Issues are not to be missed.
Most of the Inkling worthies step on front stage (MacDonald, Lewis, Sayers, Chesterton, Williams, Tolkien, and Barfield – some more obviously Inkling than others) and other lesser-known writers and artists who historically anticipated or had affinities with the Inklings in direct and indirect ways (Charlotte Bronte, Samuel Taylor Coleridge, Anna Sewell, Bede Griffiths, and Reinhold Niebuhr are also mentioned and discussed).
Lewis decidedly leads the pack of articles with 15 of the 27 reflections dedicated directly to him, whereas Tolkien is featured in 5 articles and Sayers in 3 of the essays. MacDonald, Chesterton, Williams, and Barfield are momentarily on stage. But, there can be no doubt that Lewis is the main actor that speaks his speech well – not trippingly on the tongue as some do. The quality of essays and themes covered are of a high level and not to be missed. There can be no doubt that Hilder, Pearson, and Van Dyke have done Canada well in their harvest of scholarship. The Canadian Inklings children have now matured as well-rounded, comprehensive, and creative adults, the table spread a bounty not to miss, much nourishment in the feast. I might also add that Hilder’s “Introduction” and Van Dyke’s “Chronology” make the tome a greater, grander, and fuller bounty not to miss.
There can be no doubt those who anticipated the Inklings (MacDonald, Chesterton) and the Inklings did, in their unique way, unconceal, and by doing so, reveal a mother lode of mythic, imaginative, and literary gold within the Western and Christian Tradition that had been somewhat concealed by a hyper form of right of centre Enlightenment rationalism and scientism. It was this healthy and full-bodied Christian romanticism and humanism that was the genius of the Inklings and why their presence ever persists to inform, instruct and point the way to finer and fitter trails worth the taking. There can be no doubt that The Inklings and Culture is Canadian scholarship at its evocative best and the impact of such a hefty tome will linger for many a decade and be a library from which future Inkling scholars will turn to slake a deeper thirst, the wine full-bodied and palette tasty.
Ron Dart
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