Clarion: Journal of Spirituality and Justice

Merton Pasternak and Zhivago: "Disputed Questions" & Disputing Merton

Ron Dart completes his series on Merton and Pasternak by challenging simplistic readings of Dr. Zhivago that either moralize or idealize, then explores a few blind spots in Merton's own interpretation of this epic tale.

Thomas Merton and Boris Pasternak/Dr. Zhivago: “The Candle on the Table Burned”

Part 1 - Thomas Merton and Boris Pasternak/Dr. Zhivago: “The Candle on the Table Burned”

Part 2 - Thomas Merton's Prometheus: Two Visions - Ron Dart

UFV Live Forum: Pasternak's "Dr. Zhivago" with Larissa Horne, Ron Dart & Alan Cameron

Is Jordan Peterson More Luther or Erasmus? Ron Dart interview by Paul VanderKlay

Ron Dart sees similarities between Jordan Peterson and Erasmus, the "Prince of the Humanists". As we talked I began to think he's more like Luther. The Internet connection wasn't great so the sound dropped in and out. We did the best we could. Next time we talk we'll discuss Peterson and Francis Schaeffer.

Dr. Zhivago (III): the Poems--Comedy & Tragedy - Ron Dart

In the third installment of Ron Dart's series on Dr. Zhivago, he discusses the poetry at the end of the novel, from Hamlet through Gethsemane to Fairy Tales. 

Part 1 (Dr. Zhivago and Sound of Music) can be viewed HERE and Part 2 (Dr. Zhivago, the Novel) is available HERE. 

See the poem, Hamlet, below the video.

Dr. Zhivago (II): the Novel--Themes & Characters - Ron Dart

The series began with Part 1: Dr. Zhivago & the Sound of Music: Two Worldviews 

 In this episode, part 2, Ron discusses the novel's underlying themes and seven main characters.

Pasternak's Dr Zhivago (pt 1) - Zhivago & Sound of Music: 2 World Views - Ron Dart

Review of David C. Downing's "Into the Region of Awe: Mysticism in C.S. Lewis" by Ron Dart

Review of David C. Downing, Into the Region of Awe: Mysticism in C.S. Lewis (InterVarsity Press, Downers Grove Illinois, 2005).

There are a variety of portals into reading and interpreting the life and varied publications of C.S. Lewis. There has been an unfortunate tendency to equate Lewis with variations of evangelical Christianity (such a misread), but Lewis was much more a catholic Anglican. Then, there are those who argue Lewis is more of a rationalist (makes for a good Christian apologist). Or, there is Lewis the romantic or the rationalist-romantic. Is there more to Lewis, though?

There sheer beauty and strength of David C. Downing’s Into the Region of Awe: Mysticism in C.S. Lewis is the way he convincingly highlights how Lewis is much more than a rationalist or romantic or some combination thereof—in short, Lewis is at core and centre a mystic. And, to the pertinent point, who are the writers Lewis was most indebted to? Downing suggests there are three writers that have had a substantive impact on Lewis’s mystical vision: George MacDonald, William R. Inge and of prime importance Evelyn Underhill. Underhill is referenced more than any other writer in Into the Region of Aweas directly and indirectly influencing Lewis’s notion of mysticism. It is also worthy of note to remember Underhill-Lewis corresponded for a few years before Underhill’s death, the correspondence initiated by Underhill as a result of reading Lewis’sOut of the Silent Planet.

 

Into the Region of Awe is divided into ten compact, succinct and insightful chapters: 1) Introduction: The Overlooked Lewis, 2) The Mystique of Mysticism, 3) Mystical Elements in Lewis’ Life, 4) Christian Mysticism as Lewis Knew it, 5) The Mystical Way in the Space Trilogy, 6) Finding Words to Explore the Mind of God, 7) Mystical Elements in the Narnia Chronicles, 8) Lewis’ Critique of Mysticism, 9) Learning from the Mystical Way and 10) A Brief Timeline of Christian Mystics. It is significant that Underhill is on front stage in most of the chapters and referenced many times in the compact missive by Downing. The fact that Downing has focussed, in his read of Lewis and mysticism, on the Space Trilogy and Chronicles of Narnia speaks much about how Lewis did some of his best theology via literature and, more to the point, his mystical writings emerged through the genre of literature (albeit his Space Trilogy and seemingly children’s literature, although the Chronicles can be read at different layers and levels). Needless to say, Underhill had a literary bent also.

Evelyn Underhill, like Inge and MacDonald, were a generation older than Lewis and each of them matured in an age and ethos that tended to be both suspicious and cynical about religion and mysticism. But, it was Underhill and Inge, in their different ways, who challenged the reign of positivist philosophy and a certain notion of science that tended to be reductionistic. Underhill, Inge and MacDonald realized that the mystical way, once banished, left the human soul bereft of deeper sources of meaning and purpose---they were, in many ways, the heralds of the mystical way. Lewis read and inwardly digested their writings and his, wisely articulated by Downing, carries forward the fullness of the mystical way—such is the contribution of Downing to Lewis’s full renaissance notion of the all too human journey.

Ron Dart

           

Review of Stan Paterson’s, ICE MAN - by Ron Dart

Review of Stan Paterson’s, ICE MAN: The Making of a Glaciologist. Papyngay Press, Oregon, 2013.  Review by Ron Dart

I have had an abiding interest in glacier trekking and glaciers for many a decade. Many tend to see the multiple receding and melting glaciers as climate canaries of sorts, alerting us to the obvious shifts and changes in global temperatures. Needless to say, the political right and left tend to differ rather graphically and how they interpret the causes and reasons for global warming. But, there can be no doubt we are living through the midst of a very real transition environmentally and the implications are not yet fully with us. There are, of course, the predictable henny-penny catastrophic types and, their inevitable counterparts, the deniers of the problem. Those who have lingered with glaciers for many years or, more importantly, viewed their life and research on glaciers as a vocation, Ice Man: The Making of a Glaciologist is a must-read primer.

There can be no doubt that Stan Paterson has lived the glaciologist vocation and Ice Man is a must read page turner that recounts and records Paterson’s journey, in 15 ample chapters, from the early 1950s  when Paterson was involved with the British North Greenland expedition to the Canadian Arctic, Alps and BC Coast Range. The vocation of a glaciologist presupposes a range of mountaineering skills and Paterson’s well-told tale threads together, in exquisite detail, his mountaineering and glacier life. The publication of his standard text, The Physics of Glaciers, has gone through a variety of changes since it was initially published in 1969 and its most recent edition (4^th) in 2011.

Paterson was given a PhD from UBC in 1962 for his pioneering work and in 2012, rightly so, he was honoured with the Richardson Medal of the International Glaciological Society.

The Preface by I.H.M. Smart, Introduction by David Fisher and the charming Forward by Myrtle Simpson (“Mountaineering with Stan Paterson”) make for a generous foray into Paterson’s well lived life as a mountaineer and glaciologist. Those who are keen to follow the unfolding journey of Paterson should take their time to savour each chapter as his life matures and his experience makes him one of the leading authorities in the world of glaciers. The fact Paterson worked for the Polar Shelf Project from 1962-1980 positioned him well for in-depth research on glaciers. Those who have less patience for the long and twisting path (chapters are short and informative, though) taken by Paterson in his mountaineering and glacier journey should turn to the final chapter, “Summing Up” (15), although much will be missed by such a shortcut.

There can be no doubt that Ice Man is a superb aerial overview of one of the most significant glaciologists of the 20^thcentury, and the fact his journey from Scotland to Canada opened up such possibilities for him in an area that is now front and centre for much research in our growing ecological crises.

montani semper liberi

Ron Dart              

 

Hope and the Tragic: Robinson Jeffers’ Alpine Christ, Milosz and Merton - Ron Dart

 

Jeffers room at Detjeen’s Big Sur

My wife (Karin) and I took, for our 40^thanniversary, to the Ucluelet/Tofino area on the West Coast of Canada. The waves from the ocean continually rose in thick white foams, crested, then crashed on the shoreline. Rocks and waves waged their ongoing, day by day, week by week, month and year by year contest, the craggy and rugged rocks momentarily protected we humans from being overwhelmed and swallowed up by the ocean, the tragic always nearby.

I was rereading the correspondence between Thomas Merton and Czeslaw Milosz when on our 40^th, the correspondence lasting from 1958 until Merton’s death in 1968 (2018 being the 50^thyear since Merton’s death and 60^thsince his probing and animated correspondence with Milosz began). I was taken by Milosz’s respect for Robinson Jeffers and the way Jeffers dared to gaze into the obstinate reality of the tragic and not flinch from going to such places---Jeffers and Milosz had suffered much in their lives and they had lived through a period of Western history in which much sadness and tragedy abounded. It was not that Merton did not want to face the tragic in the same way Milosz and Jeffers did (Merton followed Camus in such a trajectory), but in the inevitable tension between tragedy and hope, Merton leaned more to the hope side of the tension (while never negating the tragic) and Jeffers-Milosz tended to heed and hear the tragic and were slower in embracing hope. The perennial tension between the tragic and hope is foundational to minimal responsible thought in the area of spirituality, theology, philosophy, literature and political thought—the aberrations are naïve optimism and a form of realism that knows no hope.

It is 100 years this year since Robinson Jeffers The Alpine Christ was written (1918-2018). The date, of course, is significant. WWI had seen Western Civilization turn on itself, millions were killed or injured and, at a more personal level, Jeffers father (who he much admired) had died—in short, tragedy was in abundance. The waves of war had, like a Tsunami, overwhelmed the rocks and flooded the West in much pain and war. The Alpine Christ is not an easy poem to read but it does raise all the larger questions about the seeming absence, silence, eclipse of God in the midst of carnage and brutality. Such questions are asked often in more benign and secure historic moments and contexts but they become more pressing and intense when deaths mount and there seems no end to war (and the long-term implications of it). The Alpine Christ is set in Europe and the metaphor of the Alps (mountains) means the vision and view will be seen from a large and spacious one, a looking down into the valley of history, time and war (and the larger intellectual and practical implications of it). There are few who have dared to engage, in a significant way, Jeffers poetic power, but William Everson (a friend of Merton) did so more than most.

The sheer intellectual and poetic power of Jeffers, Everson, Merton and Milosz must be lived into if even a minimally mature notion of Christian faith is ever to be salvaged and lived from with some integrity and authenticity—tragedy and hopes—how are such tensions to be lived into and from?—naïve optimism is silly and a paralysing realism will not do. How can Everson, Merton, Jeffers, and Milosz point the way forward on this challenge to one and all on their all too human journey? The Alpine Christ is no Walt Disney ending but if Disney will not do, who can be trusted with such questions? What might be the limitations, even, of the cruciform, kenotic and suffering servant Christ as a way to answer such questions—Jeffers certainly pondered this in The Alpine Christ with his Christ-like figure of Manuel. It is these larger questions that we find attempts to answer in Greek tragedy, Shakespeare, Hardy, Nietzsche, Camus and Jeffers that need deeper and further pondering. 

Amor Vincit Omnia

Ron Dart    

"Searching for Tao Canyon" - Book Review by Ron Dart

Pat Morrow, Jeremy Schmidt, Art Twomey, Searching for Tao Canyon (Rocky Mountain Books Ltd., 2018).

“The idea of wilderness needs no defense, it only needs defenders.”
–Edward Abbey

My wife (Karin) and I have spent some challenging moments in slot canyons, sunlight teasing varied hues off rocks, wading through water knee and waist deep to reach dry ground and ledges, ever wary of flash floods. So, it came as a sheer delight when Searching for Tao Canyon came my way to review. It should be noted, at the outset, that this lavish book with exquisite photographs is, in many ways, a much delayed and necessary homage to the pioneering work of Art Twomey (a BC mountaineering legend of sorts who died tragically in the Purcell Mountains in 1997).

Twomey had his mentors of sorts but Searching for Tao Canyon is as much about a more meaningful way to live as it is about slot canyons and an artistic way of photographing their compelling and time shaped beauty. The book ends of this must read tantalizer and beauty of a book poignantly describe and discuss the early origins of slot canyon treks, the many challenges faced in reaching and photographing such sacred sites and some of those on such trips. Needless to say, the text is worth many a meditative read for a historic background into the rather new wilderness trekking in slot canyons of “fun-hogs” (not to be understood in a silly or narcissistic manner). Many of the best of the “fun-hogs” have been at the forefront of conservation and preservation, wilderness and wildness efforts.

The textual part of Searching for Tao Canyon is but the primer to the not to be missed photographs of various approaches to slot canyons and varied types of slot canyons. The colours, shapes and sizes of such canyons cannot but hold the curious for moments and hours, the wonderment within seeking such places of rare and often hidden bounties of nature. Gratefully so, the authors decided not to name or note the places in which some of the photographs were taken—tourists have predictable ways of destroying, in time, the very wildness they seek to see in their otherwise cabin’d, cribb’d and confin’d urban existence. 

The language of “Tao” was appropriately chosen as the title for this masterpiece of sorts, the Tao being the metaphor for the way and “that which is”—searching for the Tao is as much about being still, not searching, quiet enough to see what is not often seen. But, such an approach does also involve work to get to places where the hidden becomes revealed to the ardent and committed searcher and seeker. Both the written text and amply illustrated photographs illuminate such realities again and again. It is impossible to, in many ways, put this genius and pages turner of a book down—each lavish page is a portal into mysterious and often missed secrets of the rocks and rivers, weather and wildness. Each page can hold the attentive reader for rapt moments of invitational insight. Photographs of rappelling down into narrow canyon depths, mixed light playing off rocks, animals that dwell in such confines, narrow ledges to straddle, night skies and brilliant blue skies above, waterfalls and naked dives, showers and simple food in canyons all tell their compelling visual tale.

The “Contents” of Searching for Tao Canyon (fast moving text by Jeremy Schmidt) are divided into five nicely shaped sections: 1) Dedication: Art Twomey, 2) Preface: Heads Up, Fellow Desert Rats, 3) In the Jaw of the Dragon, 4) Tao Canyon and 5) Epilogue. Each of the accessible and readable sections are short and the reader cannot but be keen to know much more about such slot canyon grails that offer such superb photographs.Searching for Tao Canyon is brought to a close with two short pages on “Books We Like” and “Environmental Organizations”—merely entrees but worth the primer.      

There can be no doubt that in the last decade plus canyoneering and slot canyon trekking have become more prominent. Searching for Tao Canyon offers an informed, insightful and engaged way into how to truly seek, in a sustainable way, the ever elusive Tao that often remains hidden both in slot canyons and the slot canyons of the soul and life itself.  Many are the books published each year and few are the books that remain near and dear to that which remains—Searching for Tao Canyon definitely and decidedly remains in the latter class far from the transience of the former class—a must buy for soul and sanity.

Ron Dart        

Obadiah - Ron Dart

I have, over the last few decades, been taken and held by the fine life and writings of Thomas Merton, Dorothy Day and Dan Berrigan. I have a lengthy correspondence with Dan’s brother, Phil Berrigan. I have pondered, for decades, the points of similarity yet also difference between Merton, Day and Berrigan. Jim Forest (a friend) and closer friend with Merton, Day and Berrigan (having written biographies of all three) has gone further than most on telling their pilgrimages and highlighting their trail intersections.

Jim’s recent biography of Dan Berrigan, At Play in the Lion’s Den: A Biography and Memoir of Daniel Berrigan (2017) is a tome worth the reading and doing so many times. I was taken, though, by the fact that, for about 20 years (1990-2010) Dan wrote a variety of poetic exegetical books on the Hebrew prophets (minor and major) in the Hebrew Canon or Old Testament. Many who are keen on heeding prophetic literature (and its relevance for our time) often turn to the more academic genre of Walter Wink or Walter Brueggemann. But, Dan Berrigan has potency in his reading and application of the Hebrew prophets that goes beyond Wink and Brueggemann. And, to answer an earlier question, Dan Berrigan wrote much more, in an explicit way, on the Jewish prophetic and historical books than did Thomas Merton or Dorothy Day—this is one area in which they had different commitments.

I have been slowly working through Berrigan’s Minor Prophets, Major Themes (1995) the last few weeks. Berrigan illuminates the writings and insights of the 12 Minor Prophets in varied depth and detail, lingering longer with some, shorter with others. The reading, interpretation and political application of the prophets cannot be missed. There is no doubt that Minor Prophets, Major Themes is a must read for a mature understanding of the prophets from an ethical, historical and political perspective. Obadiah is the shortest of the minor prophetic books but the themes cannot be missed----Edom-Esau is a ruthless and violent nation, injustice rules the realm and God’s people have often been the victims of such cruelty (the tale continues today, the Holocaust the fuller version). But God will rise up, like a warrior, and defend his nation and people, Edom-Esau will be conquered and defeated in a not to be forgotten way: eye for eye, tooth for tooth, pound of flesh for pound of flesh. Obadiah is, in many ways, a forerunner of what we today would call Christian Zionism and a sort of right-wing just war theory. And, God is used by Obadiah to justify such a position. How did Dan Berrigan interact with such a prophet?

Needless to say, Berrigan is ill at ease with Obadiah’s warlike and hawkish tendencies. How does such a position square with the Sermon on the Mount and the Beatitudes? Has Obadiah truly heard and interpreted God aright? Or, like Jonah, does he see the Jewish god as a tribal god who exists for the Jews and to punish those who dare oppose the Jews? Jonah experienced a temporary and transient conversion of sorts but, by book’s end, he has slipped into a pout and pity me party.

There is more to Jonah than Obadiah, but Berrigan’s final paragraph on this thin and single page book is worth the pondering.

     Obadiah, like most of us, is in great need of Bible study.

     He has God all wrong, a God cut to his own cloth, his proclivity to ire,

 his lacerating need of a vindication that borders on vengeance.

     And then his strength.  He knows the principality of empire, and its

 hardly fetching ways, so accurately, so truthfully!

     Shall we say of him—part prophet, part darkness?

Dan Berrigan could be seen as a 20^thcentury Christian prophet. Obadiah is viewed as a minor Jewish prophet. Berrigan has dared to question both text and prophet from a higher ethic, an ethic that transcends ethnicity, nation and land, an ethic that is not about war and violence, vindictiveness and vengeance. Whom shall we hear and why? There are those who heed and follow both trails and tendencies—such pathways do lead to different destinations—one to the God of Jesus Christ (this being Trinity Sunday), the other to a Molech of sorts.

Amor Vincit Omnia

Ron Dart              

Abp. Lazar Puhalo w/ Ron Dart in Conversation —Theological, Pastoral, Prophetic & Political

See Table of Contents below for topics and time discussed.

I. Theology (O:01)

• Bulgakov (St. Sergius in Paris, the Sophianists) vs Florovsky (St. Vlads in NA, the Patristic Revival)
• 5:00  Patristic Revival of Liturgy contra the Scholastics, reviving liturgy as a work of the people
• 6:45 Acquaintance with / mentoring under Romanides
• 7:45 Dostoevsky - co-suffering love for the healing of another soul
• 8:15 Metropolitan Khrapovitsky contra Original Sin
• 9:15 Romanides' (and Puhalo's) critique of Augustine
• 10:20  Schmemann (in mold of Florovksy)
• 11:40 Romanides on Ancestral Sin
• 12:15 Khrapivitzky on the Moral Idea of the Dogmas of the Faith contra Kant

II. Faith and Science (12:40)  

• 12:40 Scientific reality/facts and theological truth are not opposed
• 14:45 The moral meaning of Genesis & origins of Judaism in Babylon
• 16:45 Fundamentalist ideology (not faith) vs science
• 18:55 The fall narrative as the birth of ego

III. Pastoral and Theological Collision with the Toll-Houses (20:20)

• 20:45 St. Justin Popović on the Toll-houses
• 21:20 Pastoral backstory: Seraphim Rose' journal series & Williamsville, NY (aftermath of 14-year-old's death)
• 23:00 Encouragement of Holy Transfiguration Monastery (Boston) / proofing by Monastery of Holy Archangels
• 25:15 Orthodox doctrine of the afterlife - St. Mark of Ephesus at Council of Florence refutes Catholic purgatory

IV. Pastoral Response to Transgenderism: Science & Suicide (27:30)

V. Response to Evangelical/Orthodox Trumpism (35:30)

• 35:30 Republicanism from Nixon to Trump 
• 40:50 Trump Republicanism's moral failure
• 41:50 Jerusalem and the deadly Christian mythologies of Israel

Review of James Karman's "Robinson Jeffers: Poet and Prophet" - by Ron Dart

 

Jeffers room at Deetjen’s Inn in Big Sur

Review of James Karman, Robinson Jeffers: Poet and Prophet (Stanford University Press, 2015).

Lee Masters, Frost and Robinson Jeffers all really have something to say and some real art. – C.S. Lewis, Letter to Bede Griffiths (April 22, 1954)

Robinson Jeffers is, probably, one of the finest poets of the tragic in the American literary canon. My wife (Karin) and I make an annual pilgrimage (usually in April) to the Big Sur area in California when the high ridge and low land flowers are in abundant display and profuse colour. We walk the ridge of Santa Lucia Mountain with the ocean thousands of feet below us, nighttime replete with many lanterns in the sky. It was in Carmel by the Sea (Northern Big Sur) where Robinson and Una Jeffers lived much of their lives. Tor House and Hawk Tower (where the Jeffers’ lived) are sights worth the seeing, perched as they once were on a rock protrusion facing into the varied seasons and temperament of Nature and the foaming ocean waves. Needless to say, Jeffers was no naïve Nature romantic—he was, in fact, a poetic realist about Nature, Humanity, Civilization and Culture.

The publication by one of the finest Jeffers scholars, James Karman, Robinson Jeffers: Poet and Prophet, does Jeffers proud. The biography of sorts tracks Jeffers’ literary and personal life in a chronological way, noting both the waxing and waning of Jeffers and his perennial poetic message (certainly not for the sentimental or faint of heart). Each of the four major sections probes well and wisely into Robinson and Una’s layered journey: 1) Wild Honey: 1887-1915), 2) Tides of Fire: 1915-1930, 3) The Whirlwind’s Heart: 1930-1945, and 4) Eagle and Hawk: 1945-1962. Jeffers had an uncanny way of cutting to the core and centre of the human heart, culture and empires—he saw the rise and fall (like ocean waves) of civilizations and the sheer indifference of Nature to Humanity. This led Jeffers to the notion of “Inhumanism”, that is, a position in which Nature has the final Say. Humanity might build, create, extol and spread the artifacts of the human will and making, but when Nature decides enough is enough, Humpty Dumpty will come tumbling down.

The tough, relentless and rigorous questions that Jeffers raises about theology, the church and God must be faced and pondered with all honesty. The fact that Jeffers heeded well the Greek tragic tradition tends to be rare for Americans who tend to either fawn before the assured results of the American empire or some form of progressivism—Jeffers lingered with the tragic and would not leave such a place. How then can the tragic and hope dwell in the human heart, mind and imagination without one silencing the other? Such was the transparent honesty of Jeffers that he dwelt with these hard and not to be denied questions, tensions and issues.

Karman, to his judicious and faithful decades-long Jeffers research and writing, has offered the reader a superb primer into the life and writing of Jeffers (a must read for those who see the all too human journey in all its layered complexity). Robinson Jeffers: Poet and Prophet has an uncanny way of articulating what it means to be both a fine and mature poet and, also, hints and tendencies towards the prophetic—most rare indeed. It is significant that C.S. Lewis had such a respect for Jeffers.

Ron Dart               

The Glass Bead Game: Then and Now - Ron Dart

What is the “Glass Bead Game”? in the idyllic poem, “Hours in the Garden” (1936), which he wrote during the composition of his novel, [Hermann] Hesse speaks of “a game of thoughts called the Glass Bead Game” that he practiced while burning leaves in his garden. As the ashes filter down through the gate, he says, “I hear music and see men of the past and future. I see wise men and poets and scholars and artists harmoniously building the hundred-gated cathedral of the mind”.

These lines depict as personal experience that intellectual pastime that Hesse, in his novel, was to as “the unio mystica of all separate members of the Universitas Litterarum” and that he bodied out symbolically in the form of an elaborate game…            

The Glass Bead Game is an act of mental synthesis through which the spiritual values of all ages are perceived as simultaneously present and vitally alive.

Theodore Ziolkowski, "Foreword,"The Glass Bead Game, p. XI

Review of Naim Stifan Ateek's "A Palestinian Theology of Liberation" by Ron Dart

Naim Stifan Ateek, A Palestinian Theology of Liberation: The Bible, Justice, and the Palestine-Israel Conflict (Orbis Books, 2017).

It was quite apt and appropriate that A Palestinian Theology of Liberation was published in 2017, very much anticipating 2018 as the 70^thanniversary of the founding of the state of Israel and the Palestinian Nakba in 1948. The violence in Gaza, and elsewhere, in the early months of 2018 have illuminated, in a graphic and raw manner, the fact that the tragedy does ever continue in an unabated way and manner. The sheer beauty and strength of A Palestinian Theology of Liberation is the way Naim Ateek, building on two previous books on this timely and time tried topic (Justice and Only Justice: A Palestinian Theology of Liberation and A Palestinian Christian Cry for Reconciliation) ponders, in a poignant and probing manner, the ongoing tale of two peoples. This is both a small yet large book—the pages are few but the content substantive and large.

Stanley Hauerwas in Canada -- Review and Reflections by Ron Dart

Stanley Hauerwas recently gave the Laing lectures at Regent College in Vancouver, BC. Prof Ron Dart (UFV) has previously reviewed both Hauerwas' books and thoughts. Two of these posts warrant republishing for current reflection. Click on the following links to read these Clarion classics: 

Stanley Hauerwas' With the Grain of the Universe: The Church's Witness and Natural Theology - Review by Ron Dart

"Stanley Hauerwas and Noam Chomsky: Anarchist Affinities" - by Ron Dart

Jordan Peterson & the Bible: Mythical and Mystical Hermeneutics - Ron Dart

Review of Christopher Page's "Christ Wisdom" - by Ron Dart

Christ Wisdom: Spiritual Practice in the Beatitudes & the Lord’s Prayer. Christopher Page.  Toronto: Path Books, 2004. 134 p. ISBN 1-55126-420-X

There is and has been a growing interest in the Wisdom Traditions from most of the major and minor religions for the last few decades. Wisdom Traditions (like their contemplative counterparts and companions) are often compared and contrasted with

Confessional and Creedal Traditions. Wisdom Traditions are seen as probing the inner and Divine depths and seeking meaningful transformation while Confessional and Creedal Traditions are about intellectual assent to propositions within a particular faith heritage.  Wisdom Traditions are often, so such an interpretation goes, about a deeper unity between religious traditions (at an esoteric level), whereas Creedal Traditions are more about differences and divisiveness. The former tends to be idealized while the latter is demoted and subordinated to the exoteric level.

Analysis and Reflections on Hermann Hesse's "Peter Camenzind" by Ron Dart

In the beginning was the myth.

—1^st sentence, Peter Camenzind    

When they had finished eating, Jesus said to Simon Peter, “Simon son of John, do you truly love me more than these?” “Yes, Lord”, he said, “you know that I love you.” Jesus said, “Feed my lambs.”

—John 21: 15                      

The publication of Hesse`s Peter Camenzind in 1904 was, in many ways, Hesse`s breakthrough novel. Hesse had published a few minor works of poetry and literature before 1904, but with the publication of Peter Camenzind, Hesse became more widely recognized as an up and coming German writer.

Many know Hesse today, at a more sophisticated level, as the author of The Glass Bead Game (Siddharta being the primer for the larger tome that, in some ways, won him the Nobel Prize for literature in 1946). But, there are the many other compact novels that have held the attention of Hesse keeners: Demian, Steppenwolf, Narcissus and Goldmund, Under the Wheel, Wandering, Gertrude, Rosshalde and If the War Goes On… (to include his more political writings). There is also Hesse`s volumes of poetry, multiple paintings and thousands of letters. Hesse, like Thomas Mann, embodies the best and the highest of the German humanist way that has many a thick root going back to the layered soil of Goethe’s life and writings.

It is somewhat intriguing that Hesse engaged Nietzsche in many subtle and sensitive ways and yet Nietzsche is very much in the ascendant these days and waxing well, whereas Hesse (much wiser and more insightful) has waned. There has been, gratefully so, in the last decade plus, a revival and renaissance of Hesse, and, as such, a return to Hesse`s Peter Camenzind is a fine place to begin a journey with Hesse into the core of what animated and held his soul and mind, imagination and literary life.