Peter Dale Scott comes from
a worthy Canadian line and lineage.  His grandfather, Frederick
Scott, was a contemporary of Stephen Leacock, an important Canadian
poet, an Anglican priest and padre to many soldiers and at the forefront
of the Winnipeg strike in 1919. Frederick Scott embodied, in thought,
word and deed, a vision of responsible citizenship, but he was very
English. Peter’s father, Frank Scott, was one of the best known Canadian
poets, constitutional lawyers and founder of the League for Social Reconstruction
(LSR) and the Co-operative Commonwealth Federation (CCF). The LSR-CCF
were the forerunners of the New Democratic Party (NDP). Frank Scott
was a student of Stephen Leacock. As the English empire waned and the
American empire waxed, Frank opposed the English colonial way of his
father, but he tended to genuflect, in a subtle way, to the New Romans
to the south.  Peter’s mother, Marian Dale, was an accomplished Canadian
painter. The Politics of the Imagination: A Life of F.R. Scott
(1987), by Sandra Djwa, recounts, as an authorized biography, the life
of Frank and Marian Scott.

Peter Dale Scott, therefore,
grew up in the centre of most of the pressing and substantive literary,
political, economic, legal and public issues of the time. Peter was
born in 1929 in Montreal, and he completed a Ph.D in T.S. Eliot’s
political and social thought in the political science department from
McGill in 1955.

Peter was a Canadian diplomat from 1957-1961, and while
a diplomat worked at the United Nations General Assembly and for two
years in Warsaw, Poland. It was while Peter was in Poland that he came
to appreciate the poetry of Czeslaw Milosz, and he worked with Milosz
in translating the selected poems of the Polish poet, Zbigniew Herbert.
Peter left his job as a Canadian diplomat in 1961, and he became a Professor
of English at University of California, Berkeley. Needless to say, Scott’s
turn to California in the 1960s placed him front and centre in the student
counter cultural movement, the Vietnam War and a revisionist read of
President Kennedy’s death. Noam Chomsky was quick to quote from Peter
Dale Scott in some of his 1960s articles, and Scott and Chomsky are
contemporaries, although they differ on the reasons for Kennedy’s
assassination. In fact, Peter Scott was writing about the escalation
of the war in Vietnam before Chomsky stepped on the larger publishing
stage. The Politics of Escalation
in Vietnam (1966) is a classic missive in the area of American engagement
in Vietnam. Oliver Stone’s film, JFK, drew deeply from Scott’s reflections
on the reasons for Kennedy’s assassination.

There are many dilemmas in
Peter Dale Scott’s life and writings, and I will touch on five in
this short essay.

First, Peter Dale Scott had
to wean himself from his father’s political and poetic outlook. Frank
Scott was a pioneer and leader in Canadian political thought and action
on the political Left. The Left, at the time of Frank Scott’s leadership,
was closely linked with American unions and the clash between union
and management, but both unions and business were at one on the primacy
of the American way of life. They just differed on how the economic
pie should be sliced and distributed. Frank was an avid fan and supporter
of Roosevelt’s New Deal, and, for the most part, the American battle,
in the Cold War, against Communism. Frank tended to hob knob and vacation
with many of those in the American political elite such as the Dulles
family. There were mild criticisms of American foreign policy, but,
when push came to shove, Frank tended to be a faithful fan of the American
way. It was this uncritical merging of Canadian and American thought
and life, at the highest levels, from which Peter had to cut the umbilical
cord.

Second, Peter, who taught at
UCLA-Berkeley in the 1960s-1970s, came to see that American foreign
policy in Vietnam and Indonesia was brutal and violent. The land of
manifest destiny, liberty and democracy could be as vicious and unbending
as could Stalin or Mao. Many were the deaths of naïve and patriotic
Americans and those from Vietnam, Laos, Cambodia and Indonesia who differed
to differ with the new Roman empire and its centurion guards. The assassination
of President Kennedy in 1963, and the CIA overthrow of General Sukaro
of Indonesia in 1965 nudged Peter Dale Scott to ponder more deeply his
father’s uncritical acceptance of the American empire as the great
and good place for Canadians to bow and genuflect before. It was these
events, and many others in the 1960s and 1970s, that moved Peter Dale
Scott to put quill to parchment and ponder, in a personal and political
way, through both prose and poetry, the aggressive nature of the USA.
Literary criticism would merge with politics. 

Third, most Americans and Canadians,
when they think of American foreign policy in the 1960s and 1970s, turn
their attention to Vietnam, Laos and Cambodia. The invasion of Indonesia
and the many deaths of Chinese and suspected communists is often
ignored. Peter Dale Scott turned his gaze in this direction and wrote
voluminously about it. The Politics of Escalation in Vietnam (1966),
The War Conspiracy (1972), The Assassinations: Dallas and Beyond
(1976), Crime and Cover-up (1977), The Iran-Contra Connection
(1987), Cocaine Politics (1991) and Deep Politics and the
Death of JFK (1993) all point to an overarching preoccupation of
Scott’s.  The American empire is aggressive, expansionist and,
at a level of deep politics and power politics, quite willing
to drive the sword into the back of their children who differ with them.
Peter Dale Scott walked the extra mile to ponder why Kennedy was assassinated.
Kennedy seemed to be moving in a more dovish direction, and he was willing
to pull troops out of Vietnam. This worried the hawks in the Democratic
and Republican parties. Such a move would make the USA vulnerable in
the Cold War. The more Kennedy moved to the dovish left, the more the
hawks circled him. He had to go. Oswald and Ruby played their parts
well, but the strings of these puppets

were being pulled at a higher
level. Johnson was known to be tougher on the communists than Kennedy,
hence with Kennedy gone, the hawks in both parties would be pleased,
and the war in Vietnam escalated and in Indonesia initiated. Peter Dale
Scott in the books listed above, and articles such as “The United
States and the Overthrow of Sukarno, 1965-1967” and “The Vietnam
War and the CIA-Financial Establishment” spelled out his arguments
about Vietnam, Indonesia and Kennedy’s assassination in incisive and
poignant detail. Oliver Stone’s JFK builds firmly on Scott’s arguments.

Needless to say, Fred Scott
would have his worries about the path and direction Peter Dale was taking,
although by the late 1960s and 1970s any naïve faith and trust in the
USA was eroding at a hasty and not to be forgotten pace. 

Fourth, many of Scott’s articles
and essays in books were, consciously so, public, revisionist and political.
But, there was much more to Peter Dale Scott than this. Scott was also
a poet as was his father and grandfather. Scott’s poetry brings together
the personal and political in an autobiographical way in which his prose
does not in the same way. Scott is best known for his trilogy, Coming
to Jakarta: A Poem About Terror
(1988), Listening to the Candle:
A Poem on Impulse (1992) and Minding the Darkness: A Poem for
the Year 2000 (2000). The seculum trilogy clearly established Scott
as a first rank political poet that wedded his Canadian experience with
his life in the USA.  There is a delicate touch in these poems mixed with tough and demanding
political insights. Scott does not flinch from facing the darkness in
all its dread and brutality, but he also listens to the flicker of the
candle in the process. Murmur of the Stars
(1994) is a book of poetry by Scott that is often not read, but there
is many a delicate and probing line in it. Scott’s two poems about
his father, “Flight” and “The achievements of F.R. Scott” are
quite touching and highlight some of the tensions that existed between
father and son. These poems fold well into other poems that Peter Dale
Scott wrote about his mother and father in the seculum trilogy.

Scott
has had a preoccupation in his literary career with epic poetry, but
he has often been concerned with the way epic poetry serves power and
imperial ambitions. Coming to Jakarta, Listening to the Candle and Minding the Darkness
are written within the epic genre, but they seek to challenge those
in power and the establishment. It is in this sense that Scott is doing
a revisionist read on how authentic epic poetry should be written. The
seculum trilogy threads together, in a way most do not, the finest of
the Oriental and Occidental mystical traditions with a probing and searching
analysis of larger events on the stage of global politics. It is this
rare and unusual synthesis in Peter Dale Scott’s poetry that make
him a must read.

Fifth, the fact that Peter
Dale Scott has a Ph.D. in political science, was a diplomat, has taught
literature and bridges the American -Canadian experience means that
there is much he has seen and had to ponder in a way most have not.
Scott’s writings on literature and literary theory have much gold
in them. “Alone on Ararat: Scott, Blake, Yeats, and the Apocalyptic”
and, more to the point of the Canadian-American literary traditions,
“The Difference Perspective Makes: Literary Studies in Canada and
the United States” is a must read and keeper for those who naively
assume Canada is just a junior and younger brother in the greater North
American family. The fact is Canadians are from a different family,
and their DNA and genetic code makes them a different people. Peter
Dale Scott’s two articles make it more than clear how and why he parted
paths with his father and why and how Canadians part paths with the
empire to the south. There are so many ways to approach the life and
writings of Scott, it is often hard to know where to begin the journey.
Will it be the literary critic, the poet, the activist, the critic of
American foreign policy or political theorist on deep politics?

9/11 and the American Empire:
Intellectuals Speak Out (2007) and The Road to 9/11: Wealth,
Empire, and the Future of America (2007) address the latter issues
in poignant, historic and graphic detail. 

The fact that Scott was born
in Canada, but has lived much of his life in the USA, means that certain
connections he could have made, he has not. There is no doubt that the
USA was behind the coup that overthrew Sukarno and brought to power
Suharto in Indonesia in 1965. Scott connects the dots well.

But, Scott speaks little about
Canada-USA-Indonesia. If he had spent longer in Canada, such thinking
could have been done. Elaine Briere, in her award-winning film, Bitter Paradise:
The Sell-Out of East Timor, highlighted the explicit and complicit
role of Canada in the take over of Indonesia and the Indonesian betrayal
of the East Timorese. Peter Dale Scott does not deal with these connections
any more than he probes Canada’s complicit involvement in Vietnam. 
Scott is more preoccupied, given his American context, with exposing
the gap and chasm between rhetoric and reality in American domestic
and foreign policy. There is no doubt such a deed needs to be done,
and Scott, as a Canadian, like Chomsky, Said, Vidal, Herman, Stockwell,
Agee, Zinn and many other Americans have made it clear that the USA
is an empire, and, as an empire, it crushes opposition that opposes
its imperial interests. This being said, though, there are plenty of
allusions to Canada in Scott’s poetry and prose. The way Scott probes
the complicated network of complicity on a
variety of familial, educational, economic, personal and political levels
does give Scott’s poetry a certain reflective integrity. 

I fear that Peter Dale Scott,
like Noam Chomsky, and unlike Frank and Fred Scott, lacks a substantive
understanding of the positive role of political parties and the state.
It is much too easy and simplistic to only see the negative role of
the state, and chant this mantra ad nauseum. There is no doubt states
do brutal things, and the Chomskys and Scotts of the world are needed
to make this clear. But, states also provide many goods, and when an
excessively negative view of the state is taken, particularly by Canadians
and within the Canadian context, most of the evils protested against
such as American imperialism, globalization and the neoliberal institutions
that are cheerleaders for neoliberalism, are facilitated by naïve protest
anarchists and advocacy groups. It is only states that have the power
to question and oppose the institutions and organizations
that facilitate global injustice, and when protest and advocacy types,
like Chomsky and Scott, are cynical of the state, they might just be
the agents, in a subtler way, of furthering the actions they so firmly
oppose.

I realize, in saying the above, that Peter Dale Scott does not
hike as far down the anarchist and advocacy path as Chomsky, Zinn and
tribe: such a clan tend to see formal politics as structurally given
to power, and those in power are impotent and incapable of bringing
serious or substantive changes in the world. In fact, Scott in Deep
Politics and the Death of JFK (chapter II) makes it more than clear
where and why he parts company with Chomsky and ilk. 
Scott is not as cynical or as simplistic in his analysis as Chomsky,
Zinn and tribe; he, as a result, has more hope in both the role of society
and the state. But, in saying that, much of Scott’s work has been
in the area of exposing how the power elite (deep politics) in the USA
works through the state in a destructive manner, and, in response, the
need for a renewed and revived civic life in society to point and embody 
new political directions. The tension in Scott’s thinking between
society-state is healthier than in Chomsky, but much of Scott’s writings,
like Chomsky’s, walk the extra mile to expose the follies, hypocrisy
and injustices of the state.    

There is no doubt that Peter
Dale Scott is one of the most important Canadian political poets. His
merging of the personal, mystical and political has much to commend
it. Many is the subtle parry and thrust in both the poetry and prose.
Scott’s epic poetry challenges the classical notion of epic poetry
as a servant of power just as his analysis of the deep politics of American
and domestic and foreign policy lays bare the real facts of the empire.
Do read this genius of a Canadian poet. Much will be learned, and much
gold will be found in the learning. But, be also willing to ask some
critical questions of those who are sure footed about what we are to
be free from but weaker on what we are to be free for and, equally important,
the practical and prudential means by which such freedom might be imperfectly
realized.

Ron Dart